I WORK IN THE VOICE OVER INDUSTRY AS A(N)
Voice Actor, Studio Engineer, Creative Director
HERE'S A LITTLE ABOUT ME AND MY VOICE OVER EXPERIENCE
80's CHR radio jock/production in the Buffalo/Toronto markets, then turned to broadcast engineering and eventually IT engineering, but never gave up voiceovers. In 2005, I started Studio1A Productions, LLC and added Podcasting. Since then, I've been focusing on reviewing pro-audio and broadcast gear for up-and-coming New Media enterprises.
RECENTLY BOOKED PROJECTS
Quite a few - the checks are in the mail ?
About mid-range (frequency-wise) with some built-in inflection from the CHR days. Some say I'm at my best with mellow music or dramatic commentary. Love ADR if it fits my range.. ...natural
DIALECTS, Character voices and vocal impressions
VOICES I AM ABLE TO PERFORM
Senior Male, Middle Age Male, Young Adult Male
AUDIO DELIVERY METHOD
FTP, AIF, MP3, WAV
Neumann TLM-49, Sennheiser MKH-416, Rode NT1, Rode Broadcaster, Electro-Voice RE-20, RE-27, Telefunken M16 (38 other large/medium diaphram condensers available) into Aphex 230's (or AirTools 6200) via Wheatstone R-55e into Aphex 2020MkIII sidechained to Aphex 204 piped to dual Presonus FirePods or Alesis 9600/Tascam TS-1000 DSD. BSI WaveCart with USB latching start/stops and touchscreen as backup. Telos One hybrid for interviews - can also emulate LA-2A, LA-3A or 1176 - 60% Auralex. 3-Mac Pro Dual-Quad clusters (24-processors) running Final Cut Studio 2 (mostly for HD video, but some audio) and a MacBook Pro 15" with a dead battery - On the PC side, Audition 3.0, Sound Forge 9 with Wave Arts and iZotope plug-ins for post. 5 Dell XPS 420 Quad-Core Extremes running XP and 1 running Vista 32-bit.. For portable recording; Marantz PMD-620 or PMD-660 with Giant-Squid (unbalanced) or Sennheiser MKH2 Gold.